The Bodhran – A Symbol of Irish Pride
The Bodhran has become an iconic symbol of Irish pride. Its simple form belies its expressive capabilities; complementing both fast-paced dance tunes and soulful ballads alike.
Sean O Riada elevated not just the humble drum but traditional Irish music as a whole during his heyday of prominence during the 1960s, inspiring a generation of master players who perfected playing techniques.
Origins
A bodhran is an ancient musical instrument consisting of a round wooden drum fitted with a goat skin head tacked onto one side, played using either hand or stick and one of the oldest musical instruments known to man.
Ritual music played an integral part of Irish life until 1950. On December 26th (La an Dreoilin or The Day of the Wren), Irish mummers (known as ‘Wren Boys’) would engage in an annual ceremony known as ‘hunting the Wren’ whereby they would go house to house entertaining people for food, drink and good craic in return.
This narrative history traverses both rural and urban environments, as well as national and international music scenes, using sources like archaeology, museums, art, printed and painted images, fiction texts, historical texts, dictionaries/newspaper reports/advertisements/transcribed folklore to conclude that while Irish music does feature percussive elements it does not require drums for performance.
Styles
The Bodhran is an adaptable musical instrument that is used by musicians from a wide variety of genres. Its rhythmic pulse has provided a bridge between traditional Irish music and other global genres, breaking down cultural boundaries while creating an inclusive environment for musicians and audiences alike.
While other musical instruments require more practice to begin playing, the bodhran is much simpler and quicker to pick up and learn from scratch. It makes an ideal starting instrument for beginners as well as more experienced players looking to take their playing to another level.
Irish percussionists such as Peadar Mercier, Christy Moore, Tommy Hayes and Johnny Ringo McDonagh have taken the bodhran to new levels through various techniques they employ and by expanding its possibilities.
Materials
It is difficult to pinpoint exactly when the bodhran first made its debut in Irish music; however, it became widely recognized during the Irish traditional music resurgence of the 1960s and has become an essential instrument in most traditional Irish bands today.
Bodhrans are instruments made from goat skin stretched over a circular wooden frame and treated with chemicals to soften it before being attached by tacking or glueing it securely to the frame.
Frame drums can be found across cultures and played using numerous techniques, but Irish Bodhran drums stand out with their unique playing style. A drummer holds the drum in one hand while using a stick (tipper or cipin) to beat it while dampening its skin with their other hand; this alters the sound from low bassy sounds to higher pitched notes.
Techniques
Though bodhran can be played without using sticks, most Irish players rely on small wooden sticks called cipin, tipper or beaters to strike against goatskin goatskin and make the instrument more responsive while creating faster rhythms. With proper stick manipulation techniques in mind, playing faster rhythms becomes possible.
The Bodhran has long been recognized as the cornerstone of Irish music, but its journey was by no means straightforward. Prior to 1960s it served mainly as an agricultural implement and musical instrument used only during St Stephens Day (December 26th) ritual of bird hunting.
Composer Sean O Riada revolutionized bodhran from being used solely for ritualistic mumming to an instrument worthy of concert halls and theatres, by including it in his ensemble Ceoltoiri Chualann. By skillfully combining classical elements with Irish folk tunes he produced innovative arrangements which mesmerised audiences.
Performance
Though considered the heartbeat of Irish music, bodhran is only relatively recently receiving such high regard. Sean O Riada’s traditional ensemble Ceoltoiri Chualann greatly contributed to its revival; their performances mesmerised audiences while helping establish its place within Irish musical repertoire.
Bodhran makers began to experiment with new construction methods and playing styles. Thin Lambeg skins allowed a higher pitch with crisper sound qualities.
Tommy Hayes has emerged as one of Ireland’s premier practitioners of bodhran playing and has become one of its most in-demand percussionists, playing alongside Ed Sheeran among many others. His approach is both original and creative while he’s an accomplished songwriter himself who’s produced multiple albums as well.
