Music Classes

How to Play the Bodhran Drum Stick

bodhran drum stick

A musician interacting with the head of a bodhran in various ways alters its timbre and pitch. A full hand strikes produces short staccato notes while sliding the heel of their hand allows the instrument to vibrate freely.

The Bodhran is one of the fastest-evolved instruments in Irish music, thanks to Sean O Riada reintroducing it and musicians such as Peadar Mercier and his son Mel taking it further than ever before.

The Bodhran

The Bodhran is an Irish frame drum made of goatskin stretched over a round wooden hoop, measuring anywhere between 14″ and 18″. This musical instrument looks similar to a large tambourine without its jingles; however, its beater known as a Tipper or Cipin is used instead for playing it.

Bodhrans can be played in many different styles. Bodhrans often feature painted surfaces with decorations ranging from Celtic spirals and GAA county colors to family coats of arms – adding beauty and not diminishing sound! While such decorations don’t diminish sound output, they add visual interest that adds something extra.

Beginners should start out using the curved wrist technique when holding their stick (similar to playing guitar) when holding the bodhran stick, which enables you to play up and down with a light touch against your skin. For more advanced players who wish to venture beyond this approach, there are techniques from Middle Eastern drumming traditions which can be integrated into traditional bodhran playing but they take some practice before becoming effective.

The Cipin

A bodhran’s frame is equipped with a “cipin,” or C-pin, that enables its player to tune it by moving their skin hand closer or further away from its head. This creates varying degrees of resonance within the drum which ultimately help produce its beautiful sound.

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The Backhand

This grip provides solid support to fingers that curl underneath the stick, offering finger-friendly support that allows more power than other grips and is less likely to lead to hand fatigue. When striking drums with sticks, vibrations from them travel through them into your hands; using incorrect grips could result in repetitive stress injuries to hands and wrists.

Traditional grip is distinguished from matched grip by raising one hand with its palm facing upward. This requires different wrist motion than when using matched grip, making it harder for beginners to learn. To use traditional grip effectively, one must create a fulcrum, similar to what’s shown in figures 16-19 – typically located between your thumb and index finger webbed space, where control for rebound and roll movement lies. The rest of your fingers provide control for rebound or roll action as needed.

The Head

The head is where a stick makes contact with drums. This contact point can take the form of either a round, barrel, or oval tip – with round tips generally considered more even and well-balanced while oval tips allow more variation in sound production.

These sticks are constructed of hickory wood, making them suitable for heavy handed drummers who require strong beats with fast passages and beats. Furthermore, their tight and focused tone make them suitable for genres like rock or punk music that demand fast passages and beats.

Vic Firth founded his company as a drummer in 1987 and personally hand whittled two prototypes before sending them off for professional manufacturing. Due to Firth’s commitment to producing only high quality products, his brand quickly earned an international following; today they produce over 12 million drum sticks annually making them one of the leading producers worldwide.

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